Creation Station to the MOTU AD/DA to analog inputs Right/Left

ART PRO-VLA In's then out to the

BEHRINGER T1954 FLEXTONE TUBE STEREO ENHANCER

In's then out to the APHEX 104

AURAL EXCITER TYPE C2/Big Bottom In then out to the

(2) PRESONUS PRO EQ 3B In then out to the

TC ELECTRONIC'S FINALIZER PLUS to what ever

2 Track Digital or Analog mastering record monitoring system

PRESONUS CENTRAL STATION to either the

TASCAM DVRA 1000 High Definition Mastering Recorder

SONY CDR--W33 AD-DA Recorder

MONITORING: RPR use's The industry standard

YAMAHA NS10M's Pair,

TANNOY 6.5 MARK 2'S and the MACKIE'S HR824'S Powered Monitors all in sync with a

SAMSON Sub Woofer Active 120- watt*s for playback Plus THE

FOCUSRITE VRM Headphone AMP and the Real time and Plug-ins

FOCUSRITE LIQUID MIX with A Large section of

WAVES PLUG INS Computers and Main DAW: